The Spirit of Yellowstone:
Yellowstone is a place that evokes great emotion in people who appreciate solitude in the wilderness. I happen to be one of those people. I arose early on my last Fall morning in Yellowstone and set out for a sunrise photo excursion. With cold temperatures at night, the Hayden Valley filled with mist from the steam rising off the Yellowstone River. With only the Bison and Elk sharing the valley, there was a feeling of solitude and peace that permeated the air. I found this quiet bend in the river that offered a visual translation of the tranquility I experienced at this perfect moment in time. Everything appeared soft, yet powerful, as the hint of sunrise color filtered through the mist and cloud. This is a truly special image. It is also an example of the type of experience that moves me to share my vision the way I do. My purpose in using the large format film cameras is to remind myself that my work is not about immediacy and volume. I only take my camera out when I am truly moved by a scene in nature that evokes an emotion I feel is worthy of sharing. When I believe a scene, combined with the light and atmospheric conditions present, have the possibility of transporting my viewers to a special place (inside or out), I know I am going to create a special piece of art. There is meaning in what I do, and my methods dictate how that meaning is presented and the impact that presentation has on the viewer. This is where my motto, “Bringing Home the Fine Art of Nature” was born. I hope this new image, as well as my others, brings you that inner peace I feel in these magical places!
Ironically, the simplicity of this scene is what gives it such great impact. The simplicity creates the ambiance. Quite often we will try to add everything we can into a scene; a strong foreground, a fiery sky, etc. This type of scene, which is based upon atmospheric conditions, has just enough landscape structure to draw the viewer in, and let the imagination run wild. The eye is drawn in along the river, through the mist, and around the corner disappearing into the distance toward the brightest part of the scene, the rising sun. With the simple foreground, we are left to wonder what is hidden beyond the bend, where we really wish we could go. The lesson here is, less is often more. Don’t force a composition, but feel it. Let it happen. Compose, with the camera locked on the tripod, then whittle away at everything that is unnecessary. Eliminate distractions whenever possible.
Canham 5×7 Metal Field Camera, Canham 6×17 cm panoramic film back, Rodenstock Sironar-S 150mm lens, Singh-Ray 2 stop split ND Filter (soft gradation), Really Right Stuff BH-55 Ball Head, Gitzo Carbon Tripod, Fuji Provia RDPIII 100 Transparency Film.